What Is Film Score?
- The Music of a Film
- The Music of a Movie
- Classical Music for Films
- The Counting of the Dark Matter
- The Best Songs of All Time
- The Berklee Film Scoring Department
- The Soundtrack of a Comic Book
- The Musical Score of a Movie
- The Score of John Carpenter's 1988 They Live and Michael Myers
- The 'Fractional 13th" song by Jody Voorhees
- The sound of a fist fight
The Music of a Film
Digital technology has allowed filmmakers to use digital samples to imitate live instruments in many films, and many scores are created and performed by the composers themselves, using music composition software, synthesizer, samplers, and MIDI controllers. The musical content of a film score is dependent on the type of film being scored and the director's wishes for the music to convey. A film score can encompass thousands of different combinations of instruments, from full symphony ensemble to single solo instruments to rock bands to jazz combo, along with a lot of ethnic and world music influences.
The style of the music being written can be influenced by a number of factors, including the time period in which the film is set, the geographic location of the film's action, and even the musical tastes of the characters. As part of their preparation for writing the score, the composer will often research different musical techniques and genres as appropriate for that specific project; as such, it is not uncommon for established film composers to be proficient at writing music in dozens of different styles. The ensemble must be able to perform the music after it has been written.
The Music of a Movie
The music is the most important aspect of film scoring. If your music doesn't hold up, you can still be successful if you own the best gear on the market. "Picture is King" is the most important thing to remember when scoring a film.
It doesn't matter how brilliant your composition is, if it doesn't support what's happening on screen it isn't good. The needs of drama and your ego come first. You have to learn to develop a tough skin and understand that the director is not going to criticize your worth as a composer, only the way they feel the music is interacting with their film.
Spotting is the process of determining when and how to use music. A composer and a director will usually meet for a spotting session in which they will watch the entire film and discuss their ideas about how music can serve the movie. Spotting sessions can last for a few hours or even days depending on the level of detail to be discussed.
Some directors like to give a few general comments but leave the creative ideas to the composer. Others will come to a spotting session with very specific ideas about what they want the music to do and sometimes be as specific as they want at certain times. It depends on the style and personality of the director, but usually it takes a few hours and only discusses the general points.
One of the best things you can do as you study film scoring is to study the great scores of the film. Listening to a soundtrack might help you learn about the music, but only if you watch a great score in context, and you will begin to understand how the music affects the drama. The faster your computer is, the faster you can work.
Classical Music for Films
Many people who don't like classical music still listen to it and enjoy it as an accompaniment to movies, and even difficult musical styles have been successfully employed by film composers. Music has been used to accompany films since at least 1892, from live accompaniment for silent films to the full orchestral soundtrack of today, with prominent composers ranging from Sergei Prokofiev to Hans Zimmer. Music for television, video games, and other modern media can enhance the user's visual experience, and is also encompassed by the genre.
The Counting of the Dark Matter
It may be an internal exercise for the composer, and not everyone does it. Execution is 9 tenths of the law if possession is 9 tenths. The composition is 1 tenth. Setting time aside to create a suite of themes, collections of instruments, sounds, lights, darks, highs and lows, gives you the chance to make your first massive mistakes before you start cutting cues to the film and filing official submissions.
The Best Songs of All Time
John Carpenter is the writer and director of Halloween. The film was written, directed, and scored by Carpenter for $10,000. The film made $70 million.
The Bond theme is a popular one and instantly evokes memories. The theme has been changed and adjusted in subsequent Bond films. The authorship of the song is a hot topic.
Monty Norman and John Barry are competing for the credit. Norman has won both of the lawsuits over the matter. Norman claims theme was inspired by his song Good Sign, Bad Sign.
The track is very fast and has great build-up. The track was used in both The Lord of the Rings and the movie,Sunshine. Here, the song accompanies battles, whereas in Requiem for A Dream it helps illustrate a downfall.
The Berklee Film Scoring Department
The Film Scoring Department at the Berklee College of Music is to offer an opportunity for students to learn the art, craft, and tools of scoring for a variety of media, with a professionally active and respected faculty that provides a comprehensive and innovative curriculum.
The Soundtrack of a Comic Book
The abbreviation is often used to describe the soundtrack on a recorded medium, such as CD, and it is sometimes also used to differentiate the original music heard and recorded versus a rerecording or cover. The term "soundtrack" was no longer used in recent years. It now refers to instrumental background music in that media.
The credits of a film or television show highlight popular songs instead of a "soundtrack". Daniel Clowes' comic book Like a Velvet Glove Cast in Iron had an official soundtrack album. The "Flexi-Nexi" was a soundtrack that was included in the original black-and-white Nexus #3 from Capitol comics.
The soundtrack album for Trosper was composed and performed by Bill Frisell, and the Absolute Edition of The League of Extraordinary Gentlemen: Black Dossier is planned to include an original vinyl record. The Crow released a soundtrack album called Fear and Bullets, which was a limited edition hardcover copy of the graphic novel. The comic book Hellblazer released annual with a song called Venus of the Hardsell, which was recorded and a music video to accompany with.
The Musical Score of a Movie
A musical score gives a film a narrative and emotional intensity. The most epic movie scenes have almost no dialogue, but they are still powerful thanks to the musical scores. The film composer is not the high-profile stars of the movies, but the movies would be flat without them.
The second point is that film composers aren't telling their own stories. They're writing to someone else's vision and that's how it's controlling everything. The score is the sum of all the original music in a film.
They will demo the score to the film's creative team for feedback on how it meshes into the scene. The film score is recorded by film composers. A film with a half its duration requiring background music is a good example of the rule of thumb.
A 45 minute score is needed for a 90-minute film. It can take anywhere from two to four months to score a film. It's not easy.
A film composer is very competitive. A lot of people find film scores attractive because of the glamour and compensation. There aren't many films made each year.
The Score of John Carpenter's 1988 They Live and Michael Myers
John Carpenter is a master of horror-genre cinema. Some of the most beloved genre films in history are in his filmography. The film maker is praised for his style and expertise in creating a proper atmosphere through his camerawork and unique touches.
The success of his films is due to the fact that most of them are composed by Carpenter and use an electronic sound. The scores for The Thing and Starman have the same sound as the classic John Carpenter film. The importance of Carpenter's own scores is as important as his films.
John Carpenter's 1988 They Live was a middle finger to the Reagan era. The film was well-received and it was a brilliant idea to use aliens who lull everyone into a state of walking sleep so they can keep them focused while they take over. The film and its score are considered classics.
John Carpenter's Big Trouble in Little China is a popular film. It was not a hit at the box office, but it was cult status on home video and became one of the most beloved films of the director. The score is very exciting and wild.
The simplest of tones are used by the synthesizer and the organs of the film. The score for Michael Myers follows Laurie Strode and her friends through the darkness with a haunting synthesizer piano. The score is one of the most well-known and appreciated film scores.
The 'Fractional 13th" song by Jody Voorhees
Music can be used to connect scenes together, but it can also be used as an indicator to show the same music in a previous scene. Friday the 13th is an example. You know that there is a person named "Jody Voorhees" when you hear that phrase.
The sound of a fist fight
The sounds of wind, thunder, and blows in a fist fight are not diegetic, and are added to a film after it is shot. Sound can be dubbed. The sound is already there in diegesis but is replaced by a clearer recording to emphasize and exaggerate the effect of the sound.