What Is Visual Art Film?
A City of Sadness: An Art Film About a Family in Taiwan
Mainstream blockbuster films are usually geared towards linear stories and entertainment. Chungking Express, a critically acclaimed 1994 art film, was called a cerebral experience by Roger Ebert. Some art films may offer elements of more familiar genres such as documentary or biography to widen their appeal.
Art films rely on the publicity generated from film critics' reviews, discussion of the film by arts columnists, commentators, and bloggers, and word-of-mouth promotion to get their attention. Art films have small initial investment costs, so they only need to appeal to a small portion of mainstream audiences to become financially viable. A City of Sadness is a film about a family in Taiwan that won the Golden Lion at the Venice Film Festival in 1989.
Fine Art and Commercial Art
People still make distinctions between fine art and everything else in the visual arts. It can change depending on who you're talking to. An argument could be made that most art is commercial because an artist needs to sell art in order to stay a working artist. Commercial art is usually created to sell something else, such as an advertisement.
What if Art is Enough?
Imagine a world without art. No designs, no drawings, no paintings, and no music. The world will be dull.
Black and white is the only thing you would be seeing. There was no laughter, no smiles, and no emotions. There is an art school near you.
The Motion Picture
There are a number of factors that come to mind when you think about the film experience. There is something vaguely hypnotic about the illusion of movement that may even lower critical resistance. The film image is made by a nonhuman process.
The film image always appears to be in the present tense, and the motion picture gives what has been called a strong sense of being present. The concrete nature of film shows actual people and things. The motion picture is seen by the spectators under certain conditions, where everything helps to dominate them.
They are taken from their everyday environment and seated in a dark auditorium. The darkness concentrates their attention and prevents comparison of the image on the screen with surrounding objects or people. Spectators live in the world and watch the motion picture.
A visual metaphor is a representation of a word through a picture. Commercial ads, photography, and television shows all use visual metaphors to create meaning. The function of visual metaphors depends on what they are being used for.
The goal of a film is to entertain an audience while the goal of an advertisement is to get a consumer to buy something. Both rely on the audience to engage. When used with intention, visual metaphors are an incredibly effective tool.
Monotypes and Art
For the student who is interested in the manipulation of found and original imagery. Students will use the silkscreen process to create monotypes. The class will be introduced to the work of artists such as Warhol and Rauschenberg through slides.
Video art can be seen in two basic types: single-channel and installation. A video is projected onto a screen or shown as a series of images. An environment made up of several pieces of video screened simultaneously is called an installation.
The Harvard Film Archive
The program draws on and consolidates course offerings in departments throughout the Faculty of Arts and Sciences which consider film and the spatial arts in all their various guises and investigate the place of visual arts within a variety of contexts. The Harvard Film Archive has a large collection of 16mm and 35mm film prints, rare video materials, vintage film posters, photographs, and promotional materials. The Harvard Film Archive is a place where students and faculty can interact with filmmakers and artists.
The archive houses a FilmConservation Center that allows the archive's staff to accession new films and preserve its significant collections of independent, international, and silent films. It is important to have professors who know your work give you strong letters of recommendation. If you have been out of school for a while, you should reestablish contact with your former professors.
An Introduction to Photography
An introduction to the painting process. The areas to be covered are color and its interaction, the use of form and scale, painting from a model, and painting objects with a concern for their mass. Five hours a week are spent in the studio.
An advanced seminar and lab explores the aesthetic and theoretical implications of digital technology in relation to photography. The focus is on making a photographic print. Class will consist of both independent and collaborative projects.
One class and one laboratory. Prerequisites are either 211 or212. An introduction to relief printing.
The assignments encourage independent development of subject matter. Throughout the term, critique will occur. Students are encouraged to draw regularly outside of class to create themes and content for their prints.